Leading off with the Brothers and Sisters Super Deluxe Set which I am finally, forcefully tucking back into my collection Chuck's dominance, artistry, skill and taste are all over this collection. The aforementioned A Minor Jam and the Southbound rehearsal are but two examples.
The live set from Winterland that make up disc three and four shine. The whole show holds up really well after all these years except for an unfortunate long solo by Dickey on Done Somebody Wrong and Dickey sounding so alone on all the Duane and Berry era tracks when he steps out for a solo.
However there are exceptions to that obviously missing Duane and Berry counter attack. Stormy Monday comes to mind and features Chuck well suited and perfectly dynamic trading riffs with Dickey and that’s not the only time. It’s a testament to how excellent a player Chuck is and how good a band we have here.
Other stand out tracks are all the tracks this lineup originated on its own and they fly. Les Brers clocks in at 25 minutes with an absolutely stunning drum segue that floats, chugs, crashes, meanders and gently settles down. It has a melody of its own. It’s a standout moment in my mind, stunning and speaks volumes to just how good Butch and Jaimoe were together and maintaining that sympathetic ear.
The power excellence and mastery of Butch and Jaimoe is fully realized here on this extended jam and it works as a standalone piece of music unlike any other drum segue, or solo I have ever heard.
I've listened to a lot of music in my day and have gone to a ton of shows both large and intimate and spent ten years plowing through three hour sets on the air. I have been studiously listening to the ABB catalogue processing, honoring, sharing, relieving and letting it inform my writing. So how can a drum solo not get old after repeated listening? Most do on just the second run through.
This is really a standout track and a word on Lamar as he gently joins the band after the monumental excursion stepping in as if on air. He melds with Butch and Jaimoe before thunderously launching the band back into the main refrain. Lamar helped anchor down the groove and held that bottom end firmly in the pocket his playing much more refrained somewhere between Berry and Woddy’s efforts Oteil being to the left of Berry in my opinion. Woddy I have a mad love affair with but later on all of that.
Chuck's work here is what we recognize so clearly as if Big Ben was ringing right in our face. Who knew what to expect after Eat a Peach and wow Southbound and Jessica just re-energized not only the band but the fan base taking us by surprise and delivering the goods in a serious, beautiful landscape of poetry, finesse, and energy. We’re back kids and keep the faith!
Charles deserves high praise and appreciation for re-launching the Allman Brothers back over the fence after Duane and Berry. He is a pillar of the band propelling them forward in a significant way.
Brothers and Sisters cemented the ABB in the general population’s heart and minds. The road that goes on forever gets a little rocky going forward but the work Chuck did not only with Laid Back, Brothers and Sister, but Highway Call galvanized the concept of virtuosity be associated with this band to the world at large.
When Chuck takes the hand off on In Memory of Elizabeth Reed here on this Deluxe Collection there is no mistake that he is an Allman Brother, born a brother, and a brother he always shall be.
When he hands the break back to Gregg no one is wondering who or what that was or notices someone else has stepped in and Dickey's playing on this live track is freakin' fierce.
The music is the music of the ABB and Chuck Leavell is right there where it belongs bringing it to us despite the travesty of fellow band members dropping like freaking flies for god's sake. But the challenge almost doesn’t exist as the gods call forth the muse again and again not to be denied by human failings. If brother Chuck doesn’t have a mushroom on his calf I’ll put one there myself!